DuMont began with one basic disadvantage: unlike NBC and CBS, it did not have a radio network from which to draw revenue and big names.[9] Most early television licenses were granted to established radio broadcasters, and many longtime relationships with radio networks carried over to the new medium. As CBS and NBC gained their footing, they began to offer programming that drew on their radio backgrounds, bringing over the most popular radio stars. Early television station owners, when deciding which network would receive their main affiliation, were more likely to choose CBS' roster of Lucille Ball, Jack Benny, and Ed Sullivan over DuMont, which offered a then-unknown Jackie Gleason and Bishop Sheen.[24] In smaller markets, with a limited number of stations, DuMont and ABC were often relegated to secondary status, so their programs got clearance only if the primary network was off the air or delayed via kinescope recording ("teletranscriptions" in DuMont parlance)
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